Fri 22nd Feb, 2008, Amazing art, Dali, Picasso, Cezanne, Manet, Renoir

The Judgement: Is Paris blushing?


The 1600 version of “The Judgement of Paris” by Peter Paul Rubens (1577-1640), which was based on Raphael’s. Rubens did at least three variations, but we’ll get to that.


And the Internet always tosses up three different renditions of Salvador Dali’s “Judgement of Paris”, and I’m not sure they’re all correct. He did his etching in the mid-1960s for a series called “Mythologie”. Have a look at this post for a bit more information on the subject.

Hacking into the legend of the Trojan War and all the paint that’s been poured into recording the event that started it.

The riveting soap opera played out in and around the myth that has for 3,000 years been known as “the Judgement of Paris” has for just as long had artists falling all over each other to get their versions down on canvas. Of course, all of Greek mythology has been painted as many times as Tom Sawyer’s picket fence, including the whole Trojan War ball of yarn back to front, but consider this particular episode:

* Three of history’s most beautiful women practically or altogether nude, and each aquiver with naked jealousy
* A guy — Joe Average — called upon to be the judge in their divine beauty pageant
* God the Father watching with keen interest
* And the fate of human civilisation teetering in the balance.

Who could resist subject matter like this? No one!


The Judgement in porcelain, from about 500 BCE, at Rome’s Capitoline Museums.

For centuries it was the ancient Greek and Roman scribes who had their way with the tale, complete with ribald humour, while the pot-painters of their time fumbled with the essentials. Finally, though, the more modern artists who knew how to depict lust properly got their chance and set up their easels on Mount Ida, where Paris was tending his sheep, an odd thing for him to be doing, since he was a prince of Troy.

Paris must have wondered why he was suddenly the designated model for an art class, but then he had had his moment of fame: He’d been the adjudicator in a bullfight — his own bull against a bovine who turned out to be Ares (not Taurus). Ares, to no one’s surprise, won.


Raphael’s “Judgement of Paris” is in fact the engraving made from it in 1515 by Marcantonio Raimondi. Somebody lost Raphael’s copy. Not to worry, Marcantonio (c1480-c1534) was one of the best in the printmaking business, influenced by Dürer and exceedingly clever at adding in his own backdrops.

In this detail, viewers take note of a character who’s taking note of them. This is where Édouard Manet found his tableau for “Le Déjeuner sur l’herbe” in 1863. Raphael or not, polite people at the Paris Salon freaked when they saw a naked female picnicking with a couple of swank “customers”. So Manet borrowed instead from Titian’s “Venus of Urbino” and painted “Olympia”, and you should have heard the howling then!

The reason for the impromptu painters’ salon in the Phrygian highlands began to dawn on Paris when Hermes, the messenger boy, turned up with three quite fetching ladies. The painter-paparazzi must have had advance notice of their coming, Paris thought.

Hermes was carrying an apple, never a good sign in these scenarios, Paris thought further, and then he stopped thinking because the women had shed their clothes and begun bathing in the Spring of Ida. Hermes would have explained to him, if he could have held his attention long enough, that he was holding the Apple of Discord, which Eris, the Goddess of Discord, had chucked onto the banquet table at a party that she’d crashed.

Girolamo Benvenuto (1470-1524), with all the gilded, not-quite-natural nature of the Sienese artisans in his day.

The banquet was another scene of which there are dozens of great paintings: a wedding party that Zeus had thrown for Peleus and Thetis, who would one day give birth to Achilles, who would one day be played by Brad Pitt in a blockbuster film that would be quickly forgotten because it didn’t have much going for it beyond a couple of pretty good swordfights.

Eris wasn’t invited because she was, well, the Goddess of Discord, and who wants discord at a party? Disco, maybe, in a pinch, but not discord. She showed up anyway and, staying in character, caused discord. The golden apple she added to the buffet, she said, without naming names, belonged to the best-looking woman in the universe.

“Why, that would be me!” said the goddess Hera, the Goddess of Marriage and also of Cuckolded Wives, who was wedded to (and cuckolded by) Zeus.

“No, me!” said the goddess Athena, who enjoyed a good hunt.

“In your dreams,” said the goddess Aphrodite, who was, after all, the Goddess of Beauty. “It’s me!”

All eyes turned to Zeus, the capo del tutti capo of Mount Olympus, who, like most chairmen of the board, was all bluff and bluster. He passed the buck and nominated Paris, the cattle judge, to decide which babe was the best looking. See the rest.